Published bimonthly since 1986, Against the Current is a Solidarity sponsored analytical journal for the broad revolutionary left. The November/December issue features Jack Rasmus on "The Crisis Beneath the Bailout," Milton Fisk's analysis of the Obama and McCain health care plans, Malik Miah on how the financial crisis effects African Americans and Suzi Weissman's interview with Thomas Frank. International coverage includes Martin Hart-Landsberg on "The Realities of China Today" and Jeffery R. Webber on Bolivia following the August recall referendum as well as articles on France, Mexico and Argentina.


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International Viewpoint is the monthly English-language magazine of the Fourth International. IV is a window to radical alternatives world-wide, carrying reports, analysis and debates from all corners of the globe. Correspondents in over 50 countries report on popular struggles, and the debates that are shaping the left of tomorrow.

Bomb kills 60, injures 250 at Islamabad Marriott: Most of the 60 dead and over 250 injured as a result of suicide attack on a five-star Marriott Hotel in Islamabad were security guards and drivers.
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Regroupment & Refoundation of a U.S. Left

As part of the preparation for our 2008 Convention, members of SOLIDARITY have begun a political document describing some perspectives for socialist renewal in the twenty-first century. We welcome responses to this initial draft of the document. Some of the themes here have also been developed in Solidarity's Founding Statement and our 1997 pamphlet, “Socialist Organization Today.”

New Pamphlet: Hell on Wheels

New from Solidarity! Long time transit worker activist Steve Downs has written a pamphlet charting the twenty year story of New Directions, a rank and file caucus in New York City's transit union that he helped build and develop - including the challenges of keeping the rank and file democracy movement alive after New Directions won control of the local.

Read a review and order your copy today!

From Abortion Rights to Reproductive Justice

New from Solidarity's Feminist Commission, this leaflet responds to the right wing attack on reproductive freedom and argues that the movement must go beyond "pro-choice" to true reproductive justice. This socialist and anti-racist feminist agenda would take up issues such as access to health and child care, forced sterilization, and the division of "productive" and "reproductive" labor.
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Public Enemy off the Charts

Submitted by redstar504 on October 15, 2007 - 9:17am.


Public Enemy's newest album.
So, when I first heard plans for this Solidarity blog at our 2006 convention, I wanted to do a review of New Whirl Order (2005) and Rebirth of a Nation (2006,) and compare them to Flavor of Love. Since then, How You Sell Soul to a Soulless People who Sold Their Soul? (2007) has been released. Flavor of Love had a second season, and spinoffs I Love New York and Charmed School gained widespread attention.

I have learned that "Rebel without a Pause" is part of the soundtrack to Grand Theft Auto: Sand Andreas, an addictive video game widely noted for racial stereotyping (the player's character is a Black man and the objective is committing brutal crimes).

I wrote the review in Fall 2006, but "my computer ate it"…really. However, most of my thesis is much better conveyed in a blog entry entitled The Political Significance of the Flavor of Love.

I was motivated to write this blog (and to post the link to Jenifer's blog above) because Public Enemy once spoke to me. Their lyrics prodded me to do more than listen and love music. Sometimes they still do. A few years ago, Solidarity bought copies of their single Make Love, F*ck War (2004 "power to the people, 'cause the people want peace.") and played it at anti-war events.

But since 1991 Public Enemy has continued a decline from a chart topping political hip hop group to obscurity. No album since the 1998 soundtrack to Spike Lee's He Got Game has even hit the Billboard charts. They can still occasionally drop a track that will rekindle fire in the heart of a revolutionary. But their tired lyrics and mediocre beats don't speak to the youth.


Flavor of Love: turn off that bullshit!

Capitalism makes a fool of our heroes. Once proof that a hip hop act could drop science without selling out, Public Enemy is now content to preach to the already converted thought their internet releases and college radio play. In turn, we all- Chuck, Flav, you, me, the movements- suffer from their self-imposed isolation. Media corporations have enormous power. The industry that Chuck D decided to take on "turn off the radio...turn off that bullshit"... "burn Hollywood, burn!" have power over placement and distribution and even music reviews. Meanwhile, Flava Flav drank the Kool Aid and has moved from the hype man of a leading force for social change to a leading minstrel in the television world of failed human relationships.

Later this year, Public Enemy- together with Louis Armstrong and Count Basie will be inducted into the Long Island Music Hall of Fame. Oh, did I say they were also admitting Mariah Carey?

( categories: )

Do we need political purity in hip hop?

I agree about the sad state of Public Enemy. There might be a more positive spin to take on it, though. The hip-hop world has moved on in style since Public Enemy's day, and there are new hip-hop artists who offer useful political perspectives, if not as often or as overtly as Public Enemy. Mos Def, Talib Kweli, and Common (and maybe I'm even a little outdated here) often combine productive political critiques with great music. That said, of course, these artists are by no means politically "pure"--they sell their images and songs to advertisers, for instance. I wonder, however, whether political "purity" is a fair thing to ask of our musicians and artists. Maybe we should embrace their useful artistic creations as tools for good political work and accept that the artists themselves don't always live up to our ideals.

great political music

I agree, it is depressing to see the trajectory of Public Enemy. Luckily there are some great young artists out there making very political, and great, music. Check out, for example:

Outernational
http://www.outernational.net/

and Debajo Del Agua
http://www.myspace.com/debajodelagua

Public Enemy - not

This just shows the illusions of many on the left who think that hip-hop is automatically progressive. PE were always suspect; even at their most "political", they played cartoonish superhero outlaws while the passive masses cheered from the sideline. "Flava of Love" is not so much a betrayal as an extension of this fundamental elitism and market orientation.

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