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Published bimonthly since 1986, AGAINST THE CURRENT is a Solidarity-sponsored analytical journal for the broad revolutionary left. The January/February 2012 issue features fourteen articles on the Occupy movement, its strategies, and actions in a number of U.S. cities. ATC’s Black History feature: Paul Ortiz on C.L.R. James’ Visionary Legacy and Derrick Morrison reviews a study of the least-known slave uprising. Hisham H. Ahmed writes about the Arab Spring, the West and Political Islam and ATC interviews Atef Said on Egypt’s Unfinished Revolution. Additional reviews by Bruce Levine, Kathlene McDonald, Susan Dirr and Tessa Echeverria and Michael Löwy. Subscribe today!
I'd be interested in seeing a 5 days 13 hours
The Socialist Party has not folded 5 days 19 hours
The Obama administration and the Poor 1 week 1 day
YES! yes! YES! 2 weeks 3 days
Thank you for writing this. 2 weeks 3 days
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International Viewpoint is the monthly English-language magazine of the Fourth International. IV is a window to radical alternatives world-wide, carrying reports, analysis and debates from all corners of the globe. Correspondents in over 50 countries report on popular struggles, and the debates that are shaping the left of tomorrow.
02/12/12 01:51
Since the beginning of the Greek public debt crisis three different demands have been put forward by the left and the workers' movement: either to restructure (and so reduce), to audit or to cancel the debt. This is not just a matter of slogans, but it also implies different political strategies. OKDE-Spartakos, as well as ANTARSYA, despite its contradictions, have opted for the third choice.
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IV445 - February 2012
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Greece,
Debt
02/10/12 02:15
On February 1, 2012, Robert Fisk ended his article in the British daily newspaper “The Independent” as follows: “But there is one unasked question. Just suppose the regime [of Bashar al-Assad] did survive. Over what kind of Syria would it rule?” In other words, the revolt has reached a point of no return.
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IV445 - February 2012
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Syria,
Arab Revolutions
02/9/12 10:04
"Prosecute the Cabal!" With millions of on strike and crowds singing Solidarity Forever, Occupy Nigeria has shut down the most populous country in Africa. Here in New York, the diaspora is rallying in support as well, and on Saturday, Jan. 14, I went to the second rally at the Nigerian Embassy and the UN this week. Though big labor actions might be more common in Nigerian than in the US, folks are saying this one feels different. Maybe it's the wave of protest against neoliberalism around the world in 2011, maybe it's the corruption—facilitated by neoliberal deregulation — or maybe it's the high unemployment rates (over 40% among young workers), maybe it's that oil is so central to the economy; or maybe it's all of this together.
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IV445 - February 2012
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Nigeria,
Trade unions,
Global Justice
Order these eye-catching buttons to spread the demand for social and economic justice. If you don't have paypal, email us!
Reads Bail out People, not Wall Street!. Around the edge, these 2 1/8" buttons read "Free Health Care," "Defend Public Services," "Living Wage Jobs," "Free Higher Education," "Troops Home Now," "Rebuild the Gulf Coast," and "Affordable Housing."
Brown and black buttons demand: "Bring all the Troops Home Now!" Wear one everywhere to start a conversation about why US occupation can never be a force for liberation, and people's needs should come before the massive military budget.
These 2 1/8" buttons read, in Spanish and English: ¡Alto a las deporaciones - Legalización para todos! Stop the deportations - Legalization for all!
It is not accurate to refer
It is not accurate to refer to AMM as "Cardew's group".
The original AMM line-up was Rowe on guitar, Lou Gare on saxophone, and Eddie Prévost on drums. When AMM split for the first time, Cardew and Rowe left to do their weird Maoist-populist "people's music" thing, and Gare and Prévost moved towards a more "traditional" free jazz approach, continuing to use the AMM moniker.
Also, while you correctly state that AMM "did not actively support radical politics", it should be noted that AMM drummer Eddie Prévost certainly has very interesting things to say about the social and political ramifications of improvised music in his two books, "No Sound Is Innocent" and "Minute Particulars".
Finally, a lot of AMM afficionados (myself included) would maintain that the real "classic" AMM era is not the Cardew/Gare/Rowe/Prévost group of the 1960s, but rather the trio version of AMM with Rowe and Prévost along with pianist John Tilbury that existed throughout the 1980s and 1990s. For all intents and purposes, 60s AMM and 80s/90s AMM are too different group, but it is the latter version which is hugely influential on contemporary improvising musicians in Berlin, Tokyo, and London. John Tilbury has played here on numerous occasions in the last couple of years, and his spaced, Feldmanesque piano playing cannot be overrated in their influence.
Tilbury and Prévost continue to perform as AMM after Rowe's hostile departure in 2004.
Those interested should check out the record label Matchless Recordings: www.matchlessrecordings.com
My personal favorites for AMM are "Newfoundland" and "Live in Allentown, U.S.A." The post-Rowe recording "Norwich" is also nice.