Published bimonthly since 1986, AGAINST THE CURRENT is a Solidarity-sponsored analytical journal for the broad revolutionary left. The March/April issue features the Educational Crisis in California and the Unfolding Fightback with articles by students and workers in the University of California system. For International Women's Day there are reviews on gender, sexuality and liberation by Catherine Sameh, Chloe Tribich and Kate Flynn. Other articles include Malik Miah on Obama Forgets the Black Community, Michael Steven Smith on Lost Liberties in the Age of Obama and Kim Moody on the Crisis and Potential in Labor's Wars and coverage on Honduras and Gaza.
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Bright orange 1 1/2" buttons boldly demand: "Bring the Troops Home Now!" Wear one everywhere to start a conversation about why US occupation can never be a force for liberation, and people's needs should come before the massive military budget.
Produced during the massive immigrant rights demonstrations of 2006, these 2 1/8" buttons read, in Spanish and English: ¡exigimos Paz, Legalización, y Trabajos para Todos! we demand Peace, Legalization, and Jobs for All!





Christy
Thank you Brad. There really is no one like Christy Moore. I have so many memories associated with Christy Moore songs. Everything from broken relationships to drunken-sing-a-longs with comrades. He rarely tours this way. I only saw him once. It was in 1990 and he played at the Brooklyn Academy of Music. I was in Western Mass at the time and, among other things, doing work on the Joe Doherty campaign. Joe, like Pol Brennan, was an escape from the H-Blocks who was fighting extradition in a New York jail. There were demos every day, committees, appeals, etc. Pol Brennan is, at this moment, sitting in a jail in Texas. http://www.polbrennan.com How much and how little as changed. A friend and I got tickets and spent the weekend down there. My guess is that the crowd was 3-4000 at the hall. Almost entirely Irish immigrants. It's one thing to here Christy's songs about Irish immigrants alone, another to be a part of a mass of Irish immigrants singing along. Christy's and the crowd were in a charged bond. Hearing City of Chicago or Quiet Desperation in that context was something. A well lubricated crowd singing along to Lisdoonvarna and getting every single topical reference. Christy spoke out forcefully on lots of issues. For Joe Doherty he sang No Time for Love and from the twenty or so rows back where I stood I could see the veins on his neck bulge as he strummed and sang "they say you can get used to a war, that doesn't mean that the war isn't on" with every part of his being. It floored me. What a great show. I still get a chill thinking about it.